AES E-Library » The Modification of Timbre by Resonances: Perception and Measurement

Resonances are fundamental to the production of musical pitch and timbre. They are also the principal source of coloration when they are added in the processes of sound recording and reproduction. The traditional problem in the design and evaluation of audio products has been to find the measurements necessary to characterize its audibility, and the judgment of how much in form must be modified in order for it not to cause objectionable coloration. A review of previous work and new

Frontiers A Proposal for a Data-Driven Approach to the Influence of Music on Heart Dynamics

Timbre Space — Timbre and Orchestration Resource

Frontiers A literature review [2000–2022] on vehicle acoustics: Investigations on perceptual parameters of interior soundscapes in electrified vehicles

The Addicted To Audio Dictionary

Neurophysiological time course of timbre-induced music-like perception

The effect of low-frequency equalisation on preference and sensorimotor synchronisation in music - Scott Beveridge, Estefanía Cano, Steffen A Herff, 2022

Acoustics & Hearing

Neurophysiological time course of timbre-induced music-like perception

AES Show Spring 2021: Full Schedule

AES E-Library » The Preservation of Timbre: Microphones, Loudspeakers, Sound Sources and Acoustical Spaces